Products related to Visual:
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BABADADA, Papiamento (Aruba) - espanol, diccionario visual - diccionario visual : Papiamento (Aruba) - Spanish, visual dictionary
BABADADA dictionaries are visual language education: Simple learning takes center stage.In a BABADADA dictionary images and language merge into a unit that is easy to learn and remember.The goal is to learn the basics of a language much faster and with more fun than possible with a complicated text dictionary.This book is based on the very successful online picture dictionary BABADADA.COM, which offers easy language entry for countless language combinations - Used by thousands of people and approved by well-known institutions. The languages used in this book are also called as follows: Spanisch, Espagnol, Español, spagnolo, espanhol, hiszpański
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Visual Culture
This is a book about how to read visual images: from fine art to photography, film, television and new media.It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world.But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality.Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour.Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement.This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
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Visual Grammar
Life in the image world has made us all voracious, if not always deliberate, consumers of visual messages.Easy access to computer graphic tools has turned many of us into either amateur or professional image producers.But without a basic understanding of visual language, a productive dialogue between producers and consumers of visual communication is impossible.Visual Grammar can help you speak and write about visual objects and their creative potential, and betterunderstand the graphics that bombard you 24/7.It is both a primer on visual language and a visual dictionary of the fundamental aspects of graphic design.Dealing with every imaginable visual concept from abstractions such as dimension, format, and volume; to concrete objects such as form, size, color, and saturation; to activities such as repetition, mirroring, movement, and displacement; to relations such as symmetry, balance, diffusion, direction, and variation.This book is an indispensable reference for beginners and seasoned visual thinkers alike.Whether you simply want to familiarize yourself with visual concepts or whether you're an experienced designer looking for new ways to convey your ideas to a client, Visual Grammar is the clear and concise manual that you've been looking for.
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Visual Memory
Featuring contributions from world-leading researchers, this book explores the relationship between visual perception and memory.It bridges the traditionally separate fields of vision science and recognition memory and deals with an interdisciplinary set of perspectives combining research in psychology, neuroscience, and artificial intelligence. The book makes new connections between the wealth of research from each respective field, developing the idea that visuospatial memory is our best memory system.This volume traverses topics grounded in both empirical study and real-world applications, including working (short-term) memory, long-term memory, the neuroscience of memory, development of memory over the lifespan, autobiographical memories, false memories, and eyewitness testimony.It argues that an increased knowledge of how visuospatial memory works can lead to an improved understanding of the basic features of memory, as well as providing strategies for memory improvement.The book features cutting edge visual memory research, where converging methods in psychophysics, cognitive neuroscience, and computational modeling have been propelling the field forward.Visual Memory is an essential read for all students and researchers of memory and visual perception.It will also be useful for researchers and students in related fields including human-computer interaction, data visualization, cognitive science, and cognitive enhancement.
Price: 45.99 £ | Shipping*: 0.00 £
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Are visual thinkers also visual learning types?
Visual thinkers and visual learning types are related but not necessarily the same. Visual thinkers tend to process information and solve problems primarily through visual imagery, while visual learning types prefer to learn through visual aids such as diagrams, charts, and videos. However, not all visual thinkers may be visual learning types, as some may prefer other learning styles such as auditory or kinesthetic. Similarly, not all visual learning types may be visual thinkers, as they may simply find visual aids helpful in their learning process.
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What are visual thinkers and visual learning types?
Visual thinkers and visual learning types are individuals who process and retain information best through visual aids such as images, diagrams, charts, and videos. They have a strong ability to visualize and mentally manipulate objects and spatial relationships. These individuals often have a preference for using visual tools to organize and understand information, and they may struggle with purely auditory or text-based learning methods. Visual thinkers and learners often excel in fields such as art, design, and engineering, where their ability to think in images and patterns is highly advantageous.
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What is the visual acuity despite using visual aids?
Visual acuity refers to the clarity or sharpness of vision. Despite using visual aids such as glasses or contact lenses, the visual acuity can vary depending on the individual's specific vision impairment. While visual aids can significantly improve visual acuity, they may not always restore it to normal levels. Factors such as the type and severity of the vision impairment, the quality of the visual aids, and the individual's overall eye health can all impact the level of visual acuity achieved with visual aids.
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What is the difference between Visual Studio and Visual Studio Code?
Visual Studio is a full-featured integrated development environment (IDE) developed by Microsoft, primarily used for developing computer programs, websites, web apps, and mobile apps. It provides a wide range of features and tools for software development, including debugging, code editing, and project management. On the other hand, Visual Studio Code is a lightweight, open-source code editor developed by Microsoft. It is designed for quick and efficient coding and supports a wide range of programming languages. Visual Studio Code is highly customizable and has a rich ecosystem of extensions for additional functionality. In summary, Visual Studio is a comprehensive IDE with a wide range of features for software development, while Visual Studio Code is a lightweight, customizable code editor focused on quick and efficient coding.
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Visual Vinyl
Collects some of the most visually stunning and evocative album covers from the 20th Century Features homages to numerous important designers and artists, such as Damien Hirst, Yoko Ono and Raymond Pettibon Up until the 1940s, records were sold in plain, uniform jackets.In the post-war years, musicians and record companies discovered that graphically designed record covers had the potential to boost sales.Significantly, in the 1960s contemporary artists began to create record jackets that became an inspiration for others on account of their radical, groundbreaking designs.Many of them have become symbols recognized not only by fans but by the wider public, symbols of an era where artistic freedom, experimentation, and innovation were encouraged.This book is the first-ever comprehensive introduction to these resplendent album covers.They have been taken from the extensive archive of the Dutch designer Jan van Toorn, one of the most active collectors and a leading expert in the field. The book includes surrealist designs by Salvador Dali; covers by famous pop artists such as Andy Warhol, Roy Lichtenstein, Robert Rauschenberg and Jean-Michel Basquiat; works by the Vienna-based group 'Wiener Aktionismus'; and contemporary designs by Jeff Koons, Damien Hirst, Banksy, and Ai Weiwei.Special importance is given to the designs from the circle of Fluxus artists, a radical sixties group who often produced music during their multimedia performances.The Fluxus artists frequently published their artwork on records, as did John Cage and Yoko Ono.Another focus of the book is Raymond Pettibon, who shot to fame when his legendary cover for the punk band Black Flag exploded into the record stores.Full of famous names and artists deserving of greater recognition, this book is the perfect gift for any vinyl-lover."
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Visual Criminology
From fine art to popular digital culture, criminologists are increasingly engaged in the processes of the visual.In this pioneering work, Bill McClanahan provides a concise and lively overview of the origins and contemporary role of visual criminology.Detailing and employing the most prominent approaches at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex social and ethical implications embedded in visual research.This original book broadens the horizons of criminological engagement and reveals how visual criminology offers new and critical ways to understand and theorize crime and harm.
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Visual Thinking
For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike.In this seminal work, Arnheim, author of "The Dynamics of Architectural Form", "Film as Art", "Toward a Psychology of Art", and "Art and Visual Perception", asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading.This is an indispensable tool for students and for those interested in the arts.
Price: 25.00 £ | Shipping*: 3.99 £ -
Visual inn
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What is better for programming, Visual Studio or Visual Studio Code?
The answer to this question depends on the specific needs and preferences of the programmer. Visual Studio is a full-featured integrated development environment (IDE) with a wide range of tools and features, making it suitable for large, complex projects. On the other hand, Visual Studio Code is a lightweight, customizable code editor that is more suitable for smaller projects and quick coding tasks. Visual Studio Code is also more flexible and can be easily extended with various plugins and extensions. Ultimately, the choice between the two depends on the specific requirements of the project and the preferences of the programmer.
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What are visual diopters?
Visual diopters are a unit of measurement used to quantify the refractive power of a lens. They indicate how much a lens can converge or diverge light rays. Positive diopters indicate converging lenses that correct for farsightedness, while negative diopters indicate diverging lenses that correct for nearsightedness. Visual diopters are commonly used in optometry to prescribe corrective lenses for individuals with refractive errors.
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Is Visual Studio free?
Yes, there is a free version of Visual Studio called Visual Studio Community. It is a fully-featured, extensible IDE for individual developers, open source projects, academic research, education, and small professional teams. However, there are also paid versions of Visual Studio with additional features and capabilities for larger teams and enterprise use.
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What does visual mean?
Visual refers to anything related to sight or the sense of vision. It can encompass a wide range of things, including images, graphics, colors, shapes, and forms. In a broader sense, it can also refer to the way in which something is presented or perceived through the eyes. Visual elements are often used in art, design, and communication to convey information, evoke emotions, and create aesthetic experiences.
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